Jefferson, NC: McFarland & Company, Inc., 1990. First Printing. Softcover. Another very eclectic number of the scholarly journal, with a wide variety of subjects: Essays on John Ashbery's work by Margueritte S. Murphy, Elizabeth Bishop's by Jacqueline Vaught Brogan, Robert Bly's by Victoria Frenkel Harris & William Carlos Williams' by William Doreski; notes on Bob Dylan's poetry-lyrics by James W. Earl; reviews of works on Beat-related poets Robert Creeley &..... More

Coventry, England: The Beat Scene Press, 2021. First Printing. Stapled Wrappers. The Winter 2021 issue of Beat Scene Magazine--the magazine-format literary journal edited & published by Kevin Ring in the UK--is the "Beats in Britain Part 2" issue. As the title intimates, it focuses entirely on The Beat Generation's impact on, relations to, & travels-'n'-dealings within the UK. This scholarly angle unearths some hitherto overlooked Beat-fossilized delights, beginning with a...... More

Coventry, England: Beat Scene Press, 2005. First Printing. Stapled Wrappers. Beat Scene No. 48 holds two honorary tributes to the then-recently passed Hunter S. Thompson and a recovered interview with Robert Duncan, the influential poet and a primary organizing figure of the San Francisco Renaissance, whose soirees hosted swarms of now-notable names. Also present is an interview with rebel visionary poet and relentless social activist Ed Sanders, a feature on..... More

Coventry, England: Beat Scene Press, 2007. First Printing. Stapled Wrappers. In Beat Scene No. 54, Kyle Schlesinger kicks off the issue with a studious, scholastic analyses of typography in the work of Robert Creeley. The essays span the sea-wide scope of Creeley's output in a concise and informative thirteen pages that detail and illuminate the respect poet's product & process. Also featured are articles on poet Harold Norse, John Clellon..... More

Berkeley, CA: University of California at Berkeley, 1965. First Printing. Single Sheet. There is a reason why the Berkeley Poetry Conference of 1965 lives on, spoken of in hushed tones and sunned by the rays of legend. Some events require the passage of time to apprehend their magnitude. Not so with the Berkeley Poetry Conference, where all who attended—lecturers and attendees alike—were quick to speak of it, write of it..... More

London, England: Michael Horovitz, 1975. First Printing. Softcover. This double-double number of the UK literary journal edited & published by Michael Horovitz brims with mostly original contributions by a wide mixture of the most well- & unknown cutting-edge literary figures (& some artists & musicians for good measure) from the time of (or recently deceased at) its publication during 1975 to now & beyond, compiled over many years since the..... More

Berkeley, CA: Oyez Press, 1971. First Softcover Edition. Softcover. "I don't want anyone who's interested in contemporary poetry to be put off by any sense of formality in these studies of a group of poems and poets out of the last twenty years of the American poetic experience...What I've tried to do in these studies is to get down some of my own responses to writing that seems to have..... More

New York, NY: Conjunctions, 1981. First Softcover Printing. Softcover. Signed by Clayton Eshleman. This historic, very first number of the prestigious literary journal chiefly edited by Bradford Morrow is subtitled "A Festschrift in honor of James Laughlin, Publisher of New Directions" & features many essays, odes & tributes to the legendary litterateur by Robert Creeley, Lawrence Ferlinghetti, Donald Hall, Denise Levertov, Michael McClure (who passed away recently as of this..... More

New York, NY: Bard College/David R. Godine Publishers, Inc., 1985. First Softcover Printing. Softcover. This eighth number of the prestigious literary journal features a tribute to British poet Basil Bunting, who had died earlier during the year of publication (1985) with contributions by Russell Banks, Robert Creeley, Eric Mottram & many others, & with a portfolio of photographs of Bunting throughout his life including some by Jonathan Williams, who also..... More

New York, NY: Bard College/David R. Godine Publishers, Inc., 1988. First Softcover Printing. Softcover. This eleventh number of the prestigious literary journal features two poems by the great Beat & Black Mountain School-associated poet Robert Creeley, "The Seasons" & "Nationalgalerie Berlin." Also "The Rube Goldberg Suite" by Robert Kelly, with poetry, prose, footnotes & interspersed with original Goldberg illustrations; "Pieces o' Six-XXVII," a prose work concerning Nazi war criminals by..... More

Annandale-on-Hudson, NY: Bard College, 1993. First Softcover Edition. Softcover. This number of the prestigious literary journal features the lengthy poem "And the Stars Were Shining" by the canonical American poet John Ashbery, the title poem of a collection first published the next year (1994). Also in this issue, subtitled "the credos issue," is a special section entitled "Credos" with short essays on beliefs & methods by noted authors including Kathy..... More

New York, NY: Scribners, 1965. First Trade Edition. Softcover. Signed & Inscribed by Robert Creeley to Ken & Ann Mikolowski, Founders of Detroit's "Alternative Press." Hugh Kenner once said that Robert Creeley was "the Samuel Taylor Coleridge of his generation." "Had I lived some years ago," writes Creeley in the introduction, "I think I would have been a moralist, i.e., one who lays down, so to speak, rules of behavior..... More

Miami, FL: Press of the Black Flag, 1970. First Printing. Broadside. Signed by Robert Creeley. A broadside (7"x11&1/2") with the short, fierce title poem by Robert Creeley (1926-2005), an affiliate of the Beats, Black Mountain College & in the pantheon of American poets. With his hand-signature above his printed name. No reference to publisher or limitation, but our research indicates this was printed by the Press of the Black Flag..... More