San Francisco, CA: Bill Graham, 1968. First Edition, Second Printing. Single Sheet. "Take another little piece of my heart now, baby | Oh, oh, break it | Break another little bit of my heart now, darling, yeah, yeah, yeah, yeah | Oh, oh, have a | Have another little piece of my heart now, baby | Well, you know you got it, if it makes you feel good | Oh..... More

San Francisco, CA: Greenlight Press, 1978. First Trade Softcover Edition, First Printing. Softcover. “Everyone likes to go over their own stories, echo-laden sanctuaries—you were here, here, here. Suffice it to say that I was the middle of three daughters to a small tobacco farmer in the extreme western edge of Kentucky, some fifteen miles before its key shape touches the Mississippi and Ohio Rivers, where they juncture. Hill country. I...... More

San Francisco, CA: Bill Graham, 1968. First Edition, Second Printing. This postcard (appx. 4 & 5/8" x 7”) designed by Lee Conklin (b. 1941) promotes a concert series which took place during Memorial Day weekend (May 29-June 1, 1968) at the Fillmore/Winterland concert venues in San Francisco, CA, featuring Canadian-American rock band Buffalo Springfield, American psychedelic soul band the Chambers Brothers & American singer-songwriter Richie Havens (1941-2013), produced by the..... More

San Francisco, CA: The Black Scholar Press, 2012. First Edition, First Printing. Softcover. Inscribed, signed & dated by Robert Chrisman to Laurence Goldstein. "Chrisman's poignant poems speak of alienation - in families, in a world of machinery...There is a concurrent theme: 'In suffering we shall find / The lost garden of our grace,' and these elegant poems do exactly that." (Los Angeles Times," back cover). The poetry collection The Dirty..... More

New York, NY, USA: Floating Bear, 1961. First Edition. Stapled Sheets. “the gracious gods / the red man / and the white man / how deliberately Sam Adams parlayed / the “Battle of Lexington” as he had / previously set up the Boston / Massacre as well as led his Mohawks / out of Fanuel Hall to bring about / the Boston Tea Party – failing to get a constitutional..... More

N/P: Robin Eichele, 1965. Original Photograph. Single Sheet. “Ted Nugent is an asshole. He always was." (quote, John Sinclair). An original black & white photographic print (measuring appx. 11" x 8.5" incl. margin) titled "Motorcycle Studies" featuring John Sinclair (1941-2024) the American poet, writer, and political activist from Flint, Michigan and Charles Moore (1951-2024), the American poet, flugelhornist, and doctor of ethnomusicology, with a Triumph Cafe Rider. Together, Sinclair and..... More

Detroit, MI, USA: Artists’ Workshop Press; Mother/Asphodel, 1966. Limited First Edition. Stapled Wrappers. “what is happening: / to the roses / to the blue flowers / the whole garden is getting choked by weeds // the tiny animals hide now when they hear us coming // the house is rotting” (“81 Degrees,” pg 8) Lisa Galt, now Lisa Galt Bond, is a well-known figure in the Lower East Side jazz..... More

New York, NY, USA: The Realist, 1963. First Edition. Single Sheet. The Realist was a magazine of social-political-religious criticism and satire intended as a hybrid of a grown-ups version of Mad and Lyle Stuart's (1922-2006) anti-censorship monthly The Independent. Edited and published by Paul Krassner (1932-2019), and often regarded as a milestone in the American underground or countercultural press of the mid-20th century, it was a nationally-distributed newsstand publication as..... More

San Francisco, CA: Bill Graham, 1968. First Edition, Second Printing. Single Sheet. (King BG-142-OPC-B, pp. 484-485). This postcard designed by Lee Conklin promotes a concert series which took place on February 22-24, 1968 at the Fillmore and the Winterland Ballroom featuring Jefferson Airplane, Ballet Afro-Haiti, and A.B. Skhy produced by the legendary impresario Bill Graham (1931-1991). Lee Conklin is known as the creator of the album cover art for Santana’s..... More

Kerhonkson, NY: Poets Press, 1966. First Edition. Softcover. A sui generis volume of so-called “Psychedelic Prayers” by Timothy Leary (1920-1996), the enigmatic-&-notorious subject of “Legend of a Mind” by the Moody Blues (the psych-rock classic of 1968) among several other distinctions. In all seriousness, though: Leary’s legacy is one that’s complexified, not clarified, by the scope of his life and the sum of its elements. We pick up his story..... More

Chicago, IL: William S. Leavitt, 1973. First Printing. Strip Binding. Signed by William S. Leavitt to Laurence Goldstein. An interview conducted by one William S. Leavitt of former “Merry Prankster,” Norman Hartwig. While not traditionally associated with the “starting lineup” (if you will) of Merry Pranksters — who had names like “Stark Naked,” “Mal Function,” and “The Intrepid Traveler” in addition to their real names — Hartwig grew up in..... More

Detroit, MI: Detroit Artists' Workshop, c.1965. First Editions. Single Sheets. "The Artists' Workshop Society will open its new gallery April 14 with a show by Detroit artist Stephen Ligosky. The Workshop Gallery, like the other activities of the Society, will be a cooperative operated by artists of the workshop. Co-directors of the Gallery are Robin Eichele, George Tysh, and Martine Allgire. these directors will be coordinating the operations of the..... More

San Francisco, CA: Bill Graham, 1968. First Edition. Single Sheet. (King BG-102-OPC-A, p. 441). This postcard designed by Bonnie MacLean (1938-2020) promotes a concert series (featuring the Chambers Brothers, Sunshine Company, and Siegal Schwall) which took place during January 11th to the 13th, 1968 at the Fillmore Auditorium. MacLean had been painting noticeboards at the Fillmore in the psychedelic style while Wes Wilson (1937-2020) worked as the primary poster designer..... More